Especially if the track already has a lot going on. Its not going to be possible to get 100% clear vocals on every single track. Perhaps when I buy a looper, that'll help some, tho def need some real editing answers either way. Simply grabbing ableton & playing with the microphone or the mp3's gain, is not even 20% good enough quality. Then extra editing to smooth the tones into the tracks flow. Even if I place the word at the noisiest part of the track. With flawless quality to hear the flawless tone of every word I say.
#MP3 GAIN EDM HOW TO#
Tho as a experiment, it's a good genre for word to sound tests I need to find advice of someone who knows microphones so good, they're able to tell me how to sing over dubstep. So the beat doesn't sound like elevator music.
#MP3 GAIN EDM MOVIE#
Meanwhile I want to rap to like movie soundtracks. Not only that, tho most rappers have such boring beats, its no wonder it's easy to hear them. They do for disk jockey'ing, tho not for some freestyle looper microphone artist. Apparently nobody remix's songs, like I'm about to. This question is so rare, it's not on youtube, it's not on google, nowhere. Does adding some microphone or mp3 gain +, help the quality enough? No. Like find the loudest bass song, now sing over it. Have any other suggestions ,for a rap microphone?
Does anyone have any other singer editing forums to recommend? NT1 Microphone and AI-1 Audio Interface, seems best for rap + asmr. So now trying to find a good rap forum, to ask. The buskers don't know how to inter faze microphone quality, because they don't remix others songs, they just looper their own instruments. The dj's don't know how to inter faze microphones, as they just use a microphone to say " welcome to the stream ". While not sounding muffled in any way or form. I searched and it hasn't been discussed at all in the last year on this forum.Anyone have a guide for remix'ing other peoples tracks? On a budget. How do I normalize the tracks? I love never having to adjust the gain when cueing a track, I don't want to go back to the old way, I'm just not sure if platinum notes is the way to go. I know I need to cut iTunes out and import directly to rekordbox, but what other aspects should I change in my workflow? *gonna be ditching iTunes soon, like this month I have been so behind on my music workflow (download from promo only, bpm supreme, prime cuts, amazon, select mix, rip CD's from rummage sales, tag in meta-bliss, process in platinum notes, add to iTunes*, import to rekordbox that I haven't been processing in mixed in key at all.)
#MP3 GAIN EDM WINDOWS#
I have heard MP3 gain is good but checked and it hasn't been updated since 2009 and I don't much feel like running a windows program on my macbook. The way it processes stuff in nested folders has no rhyme or reason and I'm constantly finding myself telling somebody I don't have a song that I know I used to have. The other issue I have is that I'm just not confident that when I put 30,000 songs through I get that many on the other side. I could spend a month re-processing 30,000 files on a different pre-set but I don't think that would fix the snap issue on some pop songs, and I'm just not sure it's worth all the work, and having to keep two copies of every song.
It pulls the song down so the vocals can't be heard. It also muffs up some select mix remixes where the remixer pegged the redline. Cheerleader remix by UMI has a definite snap sound to the beat. Also I find when I process the promo only into edits of certain songs I get a pop on the bass hit. Now my michael buble', jason mraz, jack johnson and old school country twang have bass that hits the resonate frequency of the dance hall and literally shakes the chandeliers and ceiling tiles, however pop music, rap and EDM sounds just fine. Heard a lot of reviews that it takes the oomph out of the low end and heard it was a good idea to add 2db to the low end. I hate how long it takes to process files and I think I've been using the wrong preset. I've been using platinum notes for years and keeping the originals.
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